Kostanjevica na Krki undoubtedly ranks as one of the most recognisable settlements in Slovenia, and it never fails to enchant with its extraordinary position on the island in the River Krka. Just over a kilometre away stands the former Cistercian monastery, which since 1974 has housed the Božidar Jakac Gallery, within which a prominent place is given to the permanent collection of Slovenian expressionists.
The courtyard of the extensive monastic complex is bordered on the northern side by the ruins of former monastic rooms and cloister, along with the main element of the former monastery, the order’s church. These are also the only parts of the original complex from the 13th century, when the Carinthian Duke Bernard Spanheim economically and strategically consolidated his possessions along the River Krka by constructing a sacral building. The church, which undoubtedly began to appear upon the founding of the monastery in 1234, was built as a three-nave basilica with a transverse nave and a pair of chapels along the square-ended presbytery, thus suiting the ideal of Cistercian architecture, what is termed the Bernardine architectural type. The observer’s attention is drawn primarily to the sheaf-like columns with capitals supporting the cross vaulting columns, complete with a wealth of carved vegetal motifs of buds, palms and wreaths. In the Baroque period the church, and along with it the entire monastery, underwent a comprehensive reconstruction. Today it is the architectural elements that provide the fundamental component of this exceptional space, since with the dissolution of the monastery in 1786 the church lost its original sacral function, and later also all its furnishings.
Following extensive restoration and renovation works, the former monastery church acquired its present image in 1971, and as such represents one of the finest examples of late Gothic (later with a Baroque treatment) architecture in Slovenia. The Božidar Jakac Gallery uses this space as an exhibition area, for which established Slovenian and foreign artists prepare specific exhibition projects and temporary exhibitions that enjoy great attention from experts and the public alike. This year's festival events include exhibition of Academy qualified painter Sandi Červek.

Helena Rožman, curator